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Trivia The Different Types Of Rhyme

Professora Akira

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Whether it's a piece of music ,poetry or any kind of rhymes ,it usaully affects us in varried ways and of course they’re all important parts of music and literature.
There are various types, which are deployed in a multitude of ways,let us explore each.

Identity Rhyme​

An identity rhyme is when a word is rhymed with itself, or with a word that sounds exactly the same (though the latter is sometimes called a “rich rhyme”). For many, it’s considered a lesser kind of rhyme, but it’s also not uncommon. If you’re paying close attention to lyrics, hearing an identity rhyme can hit you like a note played incorrectly. Even the most accomplished poets and musicians might resort to it from time to time, however. Take, for example, these lines from The Beatles’ “Hey Jude.”

Hey Jude, don’t make it bad,
Take a sad song, and make it better,
Remember to let it into your heart,
Then you can start to make it better

Perfect Rhyme​

The gold standard of rhyming is the perfect rhyme, also called an exact rhyme, a true rhyme or a full rhyme. A perfect rhyme is usually two non-identical words that are the same length and…well…rhyme (have the same vowel and ending consonant sound). Cat and hat, dock and rock, and so on. It doesn’t have to be single words, also. “Ratchet” and “catch it” can be considered a perfect rhyme. There are an extraordinary number of examples to choose from for this type of rhyme, so let’s go with one you’ve probably heard of before.

Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall,
All the king’s horses and all the king’s men,
Couldn’t put Humpty together again.

Slant Rhyme​

When a rhyme isn’t quite perfect, it’s a slant rhyme, a near rhyme, an imperfect rhyme, an approximate rhyme or, for the ruder sort, a lazy rhyme. These are rhymes that don’t match perfectly, but share enough vowels and consonants to resemble each other. Slant rhymes allow a writer to have a much larger number of words to choose from. While they’re called “lazy,” many — if not all — rhymers resort to them once in a while. They can even be necessary. The word “orange,” which famously doesn’t have a perfect rhyme, can only be used with slant rhymes. Despite that, rapper Eminem has used “orange” many times, like in “Brainless.”

Take some inventory,
In this gourde,
There’s a Ford engine,
Door hinge,
Syringe,
An orange,
An extension cord
And a Ninja sword.

Eye Rhyme​

An eye rhyme is when two words look like they might rhyme, but they do not. Words like “wind” and “bind,” “through” and “trough,” and any number of other pairs have endings spelled the same way, but very different pronunciations. Notably, this phenomenon is more common in certain languages than others, because some, like English, have more varied pronunciations of their letters than other languages like Spanish. Eye rhymes tend to be in poetry more often than music, like in William Shakespeare’s Sonnet 18.

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.

Another thing to note about eye rhymes is that sometimes a rhyme depends on a person’s accent. The word “vase,” for example, might rhyme with “base” to an American but with “cause” to a Brit. Thus, one person’s eye rhyme is another person’s perfect rhyme.

Masculine Rhyme​

The word “masculine rhyme” is connected with the concept of a “masculine ending,” which is when a line of poetry ends on a stressed syllable. There are some sexist implications at play in the naming of this type of rhyme, of course; ending on a stressed syllable was considered “manly” or something along those lines. When the last syllable of two lines are stressed, then it’s only that syllable that matters when rhyming. For this example, we can look at Beyoncé’s “Crazy In Love,” which uses slant rhymes and perfect rhymes at the end of her lines to create masculine rhymes.

I look and stare so deep in your eyes
I touch on you more and more every time
When you leave, I’m begging you not to go
Call your name two, three times in a row

Feminine Rhyme​

In contrast to a masculine ending, a feminine ending is when the stressed syllable comes before the end of a line. This makes feminine rhymes more difficult, because to sound right, you need something to rhyme starting at the last stressed syllable of a line and extending to the end. You can’t rhyme “quotient” and “patient,” for instance, because the stressed syllables — “quo” and “pa” — don’t rhyme. The chorus from Billie Eilish’s “Bad Guy” makes good use of the feminine rhyme, where the stress falls on the second to last syllable.

So you’re a tough guy
Like it really rough guy
Just can’t get enough guy
Chest always so puffed guy

Light Rhyme​

Sometimes, a stressed syllable is rhymed with an unstressed syllable, which forms a light rhyme or a wrenched rhyme. Two lines of a poem might end with “nets” and “carpets,” which forces the reader or singer to pronounce “carpets” with extra stress on the last syllable, as in car-PETS. The “wrench” of wrenched rhyme refers to this forced shifting of stress. This is not an ideal rhyme and is fairly rare, but it happens every once in a while.

End Rhyme​

The end rhyme is, as the name implies, a rhyme that falls at the end of a line. Every example we’ve dealt with so far has been an end rhyme, making it one of the most common types of rhyme. Nevertheless, we’ll give another example, from Adele’s “Rolling in the Deep.” You can also note that these are masculine rhymes.

See how I’ll leave with every piece of you
Don’t underestimate the things that I will do
There’s a fire starting in my heart
Reaching a fever pitch and it’s bring me out the dark


Internal Rhyme​

An internal rhyme is when words rhyme within the lines of a song. Not every musician uses internal rhymes regularly, and it’s more important in some genres than others. Many rappers use internal rhyme quite a bit, and being able to incorporate lots of internal rhymes, particularly off the cuff, is a difficult skill. An example of this feat from 1987 is Eric B. & Rakim’s “Eric B. is President.” Take just the first four lines.

I came in the door, I said it before
I never let the mic magnetize me no more
But it’s biting me, fighting me, inviting me to rhyme
I can’t hold it back, I’m looking for the line


There’s a lot of thought that goes into finding rhyming words and phrases that match the feelings and sentiments an artist wants to express, and plenty of division over “good” and “bad” rhymes. If anything, learning about the different types of rhyme should help you appreciate a well-written song even more than you already do.




Excerpt from Babbel
 

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